Musical monstrosity deposited in Halifax, Nova Scotia after the first 23 years in Burnley, England.
Tim Crabtree’s haunting voice burns at the centre of the Paper Beat Scissors sound with an honesty and rawness that skirts discomfort. The relocated-Brit began the project following a move to Canada’s East Coast and soon caught the attention of his adoptive home, recording the highly-acclaimed self-titled debut with Michael Feuerstack (Snailhouse, Bell Orchestre, the Luyas) producing and Arcade Fire drummer Jeremy Gara mixing. The album, released on Forward Music in Canada and Ferryhouse in Germany, Austria, Switzerland found its way onto BBC and CBC airwaves as well as best-of the year lists in Canada, Europe and as far afield as Mexico and Japan.
PBS has toured Canada and Europe, sharing the stage with the likes of Mark Kozelek (Sun Kil Moon/Red House Painters), Great Lake Swimmers and Dan Mangan. An onstage collaboration with Clogs (regular collaborators and members of the National and My Brightest Diamond) was released as a limited-edition 7″ for International Record Store Day 2013. Tim is presently working with engineer Dean Nelson (Beck, Thurston Moore, Bat for Lashes) on a new album set for release in 2014.
PRAISE FOR PAPER BEAT SCISSORS
“Absolutely stunning… wonderful… startling and beautiful” – ‘Whispering’ Bob Harris, BBC Radio 2
“Crabtree’s voice yearns… you’ll soon be drawn deeply into these quiet observations through almost meditative tonal layers as they develop tremendous force - ★★★★” – Rolling Stone Magazine, Germany
“…Crabtree has charisma…” – Exclaim!
“…potent enough for an otherworld experience.” – CBC
“This isn’t merely indie folk music: Paper Beat Scissors is a genuine work of effortless art.” – Pop Matters
“Crabtree’s more than one to watch, he’s one to listen to, now.” – Americana UK
“…a beautiful work of art. If this doesn’t make it on the 2012 Polaris Prize Nominee list, there’s something wrong with that jury.” – Stage Door
“…you’ll be stirred for life.” – Leicester Bangs (UK)
“Tim Crabtree is incantatory on his self-titled debut album…” – NOW Magazine
“…masterfully realized…” – The Coast
“It won’t be long before he has a large and devoted following. Get in on the ground floor now.” – Babysue (USA)
“I wish I could say more about this album’s genius, but I am truly at a loss for words.” – Unknown Trombone
“…a stunning debut album…” – Fulcrum
“…simply blown away.” – Grayowl Point
“A captivating sound…wonderful is not enough.” – Soundvat
“…a unique and glorious folk experience.” – Spill Magazine
“…powerful and uplifting…” – Nexus
“Beautiful” – Laurie Brown, The Signal, CBC Radio 2
“Tim Crabtree has such a unique sound that it’s hard to put his ambient, folk melodies into word. Cinematic in scope, [it] builds dynamic results with the most subtle, gentle touch. Each time I see Tim… on stage… I leave speechless” – Herohill.com
“a haunting sound” – The Chronicle Herald, Halifax
“The songs simultaneously shimmer and float” – Kieler-Nachrichten, Kiel, Germany