Musical monstrosity deposited in Halifax, Nova Scotia after the first years in Burnley, England.
Tim Crabtree’s haunting voice burns at the centre of the Paper Beat Scissors sound with an honesty and rawness that skirts discomfort. The relocated-Brit began the project following a move to Canada’s East Coast and soon caught the attention of his adoptive home, recording the highly-acclaimed self-titled debut with Michael Feuerstack (Snailhouse, Bell Orchestre, the Luyas) producing and Arcade Fire drummer Jeremy Gara mixing. The album, released on Forward Music in Canada and Ferryhouse in Germany, Austria, Switzerland found its way onto BBC and CBC airwaves and the cover CD of Rolling Stone Magazine in Germany.
PBS has toured Canada and Europe, sharing the stage with the likes of Mark Kozelek (Sun Kil Moon/Red House Painters), Owen Pallett, Tanya Tagaq, Great Lake Swimmers and Dan Mangan. An onstage collaboration with Clogs (regular collaborators and members of the National and My Brightest Diamond) was released as a limited-edition 7″ for International Record Store Day 2013. The new album “Go On”, set into motion with engineer Dean Nelson (Beck, Thurston Moore, Bat for Lashes), was released in 2015 (Canada, Central Europe) to great acclaim, and will see a February 2016 release in the UK.
PRAISE FOR PAPER BEAT SCISSORS
“Absolutely stunning… wonderful… startling and beautiful” – ‘Whispering’ Bob Harris, BBC Radio 2
“Crabtree’s voice yearns… Soon you’ll be drawn deep inside these enormously powerful layers of sound” – ★★★★ – Rolling Stone Magazine, Germany
“…Crabtree has charisma…” – Exclaim!
“…potent enough for an otherworld experience.” – CBC
“This isn’t merely indie folk music: Paper Beat Scissors is a genuine work of effortless art.” – Pop Matters
“Crabtree’s more than one to watch, he’s one to listen to, now.” – Americana UK
“…a beautiful work of art. If this doesn’t make it on the 2012 Polaris Prize Nominee list, there’s something wrong with that jury.” – Stage Door
“…you’ll be stirred for life.” – Leicester Bangs (UK)
“Tim Crabtree is incantatory on his self-titled debut album…” – NOW Magazine
“…masterfully realized…” – The Coast
“It won’t be long before he has a large and devoted following. Get in on the ground floor now.” – Babysue (USA)
“I wish I could say more about this album’s genius, but I am truly at a loss for words.” – Unknown Trombone
“…a stunning debut album…” – Fulcrum
“…simply blown away.” – Grayowl Point
“A captivating sound…wonderful is not enough.” – Soundvat
“…a unique and glorious folk experience.” – Spill Magazine
“…powerful and uplifting…” – Nexus
“Beautiful” – Laurie Brown, The Signal, CBC Radio 2
“Tim Crabtree has such a unique sound that it’s hard to put his ambient, folk melodies into word. Cinematic in scope, [it] builds dynamic results with the most subtle, gentle touch. Each time I see Tim… on stage… I leave speechless” – Herohill.com
“a haunting sound” – The Chronicle Herald, Halifax
“The songs simultaneously shimmer and float” – Kieler-Nachrichten, Kiel, Germany